Tuesday Tips and Techniques: Formula One

I received a very nice email from one of  my subscribers that read in part,  "... I thought I would be a natural, as right handed people are suppose to be naturally artistic, but I can't even get a journal going!  It's really frustrating and depressing.  What can I do to get started?  Sometimes I want to scream!"


I was happy to send her my favorite journaling formula, and I thought you would enjoy seeing this formula, too.  I use this formula when I want to work in my journal but don't have anything specific in mind.  In today's post, I'll show you the formula I used to create this two page spread as well as many other spreads.

1.  Begin with a gessoed page.  Gesso will give you a nice surface to work on and will also add texture to the page as well as increased sturdiness for all of these layers.  After the gesso has dried (perhaps with some help of a heat gun or hair dryer), add a block or more of text with a Sharpie, gel pen, or your favorite writing pen.

It doesn't matter what you write.  I like to use this opportunity for whatever is on my mind at the time.  It could be a rant, lyrics to a song, or random ideas.  I usually write these block of texts upside down or sideways.  When you've finished writing, cover all or most of it with a thin layer of gesso or acrylic thinned with water.

2.  Once this layer has dried (it shouldn't take too long), apply a wash of two colors.  I used craft acrylics for this spread.  I selected neon yellow and neon green.  This wash ties your pages together with cohesive background color.  Have fun with this layer!  I apply the paint directly to the page in swirls and drips and add water directly to the pages.  Let the paint swirl and blend together by holding your journal up and tilting back and forth.  Make puddles of your selected paint colors and drop them into the wet background.  Blob areas of color with wet paper towel.  Flick paint specks on your pages by running your thumb across your loaded brush.  Make prints with your finger tips.  Have FUN!

3.  While your wet pages are drying, pull images from your photo files, grab scrap off your work area.  Do it without any rhyme or reason.  Just pull images that appeal to you at the moment.  Be spontaneous!  Pull more than you know you'll use.  That will give you plenty to play with.

 4.  If your pages aren't dry at this point, help them along with your favorite drying device.  Begin tearing and cutting images that appeal to you.  Don't give it a lot of thought.  Just let the magic happen - put The Muse in charge!  Pay attention to composition.  I tend to work in threes with pattern:  I tear each different patterned paper into three unequal sections and place them in an arrangement that's pleasing to me.  I use Mod Podge (no surprise to my avid readers!), to apply everything to my pages.

5.  Once this has dried, add another wash of two colors.  I selected more yellow and burnt sienna for my next wash.  I use the same technique for application as I did with the first wash.  This also helps to tie both pages together and pushes everything into the background.  Don't forget to let some of your original wash show through.  This helps to add depth to your page.  At this stage, I begin looking for imagery.  When I looked at these pages, I thought the checkered pattern on on the left looked like hair.  

6.  At this point, I begin making my light areas lighter and my dark areas darker.  I also begin adding more opaque layers of color, especially near the collaged items.  I don't want the collaged items to look like they're just stuck on - they need to blend in with the rest of the pages and become part of the whole design.

7.  Now it's time to add details.  I added splotches of transparent, raw umber acrylic ink.  I dribbled and smudged the ink along the outer edges of the pages to add depth and a nice border.  I completed the details of the face, and I darkened some of the areas.  I usually also add two or three other collaged elements at this point - mostly just because I like the way it looks!  The final step is to write another couple lines of journaling. At this stage, I generally write only one or two sentences that reflect the imagery on my pages.

And there you have it!  A journal spread that's cohesive in color, pattern and composition.  More often than not, you'll find items that you've incorporated are both symbolic and literal in relation to what you initially wrote in your first blocks of text.

I hope you find this formula for journaling helpful as you continue your own journaling endeavors.  If you give this method of try, I hope you'll show me your results.  If you have any questions or additional thoughts, comments are encouraged.  I love hearing from you, and I do believe I have solved the annoying word verification issue!   Happy Creating - and Happy First Day of Spring!

CELEBRATE * LOVE * CREATE

Pears, Pears Everywhere

I've got pears on the brain because I want to do a large pear painting for my dining room.  Problem is, I'm not sure exactly what I want to do.  Eureka! 9" x 12" journal pages are the perfect way to experiment and that's just what I've done.

The first page I did was my experiment with the Super Heavy Gesso.  I gessoed the background and the pear, too.  After the gesso dried (overnight) I painted my first pear painting!  I love the texture - definitely out of my comfort zone.

This is pretty straight forward.  Gesso and artists acrylics were used.

I decided to go a little funkier with the next pear.  I use the term "pear" with artistic license - looks more like a deranged apple to me!  This is water soluble wax pastels with a touch of craft acrylic.

As long as I was experimenting, why not go hog-wild crazy! There really is a pear in there - somewhere.  This is gesso, craft and artists acrylics.

This is one of my favorites and the one closest to my usual style. This is artists acrylics.

This was way too much fun!  No paint brushes were used except to apply the stem.  I used craft acrylics and applied red, yellow and orange randomly with an old credit card.  After that dried, I roughed in the pear shape in black craft acrylic with the tip of the card and dragged black paint over the background.  Then I took green craft acrylic and applied it to the top of the pear directly from the bottle.  I tapped the journal against the table and let the paint drip.  This may just be my inspiration for a large canvas.

Am I having fun "Happy Creating!"?  I would say so!

Put Your Records On!

That's right - put your records on and have some journaling fun by trying something new!  It's easy to get into a rut once you find a journaling formula that's tried and true and feels as comfy as your favorite pair of shoes, but changing your routine is as exciting as buying a new pair of shoes!

I have been the queen of Composition Notebook journaling, but going through some of the workshops at 21 Secrets prompted me to try some new materials and I'm having an absolute blast!

First of all, I bought myself a mixed media, spiral bound pad.  It's 9" x 12" (larger than a Composition Notebook) and unlined. 

I also bought a jar of Liquitex Super Heavy Gesso.  I can't begin to tell you how much fun I'm having with this.  Think about a stucco wall, and that's what you can do with this super heavy gesso. 

 It's smooth and creamy like marshmallow cream, but a tad heavier.  It stays exactly where you put it on the page.  I've used an old credit card and an empty toilet paper tube to apply some to the page. 

 You can get different effects by varying the angle of the card and by varying the pressure you apply to the page.

Whether it's trying something new like gesso, or trying a different size or type of journal, try something new for your journaling!  It's always rewarding to take a fresh approach to your creativity.  Remember, your creative muse likes to play and will thrive in the atmosphere of experimentation.

So go ahead - put your records on, let your hair down and try something new for your creative journaling.  There's just nothing else like "Happy Creating!"